Maps & Atlases With Zechs Marquise Live at Glasslands

Written by  Published in Live Reviews Monday, 21 May 2012 18:39

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Maps & Atlases

By now we already know to expect a great show whenever Maps & Atlases is playing. Last time I caught them at Bowery Ballroom, it was a sold out show filled with adoring fans. If they could pull off amazingly good vibes like that at that venue, then a show at the most good vibin’ venue in Brooklyn – Glasslands – would logically have to be nothing but good vibe city.

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Turns out, the Glasslands show was more of a good vibe variation. This time, Maps & Atlases felt more mellow; but really, to say that as a comparison is still like saying they really jammed out and put on a good show. The crowd visibly felt it, just wasn’t going too crazy. This probably had a bit to do with the more mature nature of M&A’s latest album, Beware and Be Grateful. It sounds like the band has just lived a little bit more, and changed their perspective accordingly, not to mention gotten even more proficient in how well they keep time and hold all their finger tapping and pulsing polyrhythms together. Older favorites weren’t abandoned, however. Songs like “Pigeons” became singalongs, the ambiance of appreciation was a tangible feeling.

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This show was also another confirmation of how Maps & Atlases have great taste in the supporting bands they bring on tour with them. Sister Crayon, who I recently caught at Pianos opened, and then there was El Paso psych funk band Zechs Marquise. The core of this band is a trio of brothers; Marcel Rodriguez-Lopez, Marfred Rodriguez-Lopez, and Rikardo Rodriguez-Lopez, who also happen to have another brother by the name of Omar Rodriguez-Lopez, who you may have heard of in relation to The Mars Volta. Drummer Marcel wasn’t at this show, but the drummer that played with them held it down with percussive stealth, not to mention his beard almost passing for a 6th member of the band.

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Marcos Smith of Zechs Marquise

Regardless of the band’s hairy prowess and higher profile relations, they really brought out some jams, and they brought it hard. They describe their sound as being funk from the future, and if the future of funk is a much heavier, blown out, almost hardcore funk, then that description is pretty accurate. Also, the fact that they’re on Sargent House with the likes of Teros Melos and Chelsea Wolfe makes total sense. Minutes after their set, tweets started popping up in the feed about the band’s impressive set. I think Zechs blew some people’s minds that night.

Zechs Marquise has just announced summer tour dates with And So I Watch You From Afar, so kids across the nation will be able to have their ears blown proper. Maps & Atlases also still have a pretty good run of a tour to go, playing dates all up and around the US through July. View all dates here and keep up with all the places they go on their Instagram tour diary. I also want to give a shout out to Sister Crayon, who’s opening set I missed, but they will be on tour with Maps & Atlases until the beginning of June, after which they play some homecoming shows in California before heading back out on tour with Built to Spill. Definitely get out to see this band if you can.

Photos (c) Kelly Knapp

Last modified on Monday, 21 May 2012 23:15
Kelly Knapp

I grew up listening to the music my parents listened to. My mom gave me some of her “Golden Oldies” cassette tapes, and I could sit in my room for hours harmonizing with The Ronettes, and staring at Del Shannon, who I thought was a total stud in his tiny black and white photo on the glossy fold-out insert. I listened to Willie Nelson because my Dad admired him so much, and I wanted to understand what was so great about him too. My first concert wasn’t a huge life changer; I saw Inner Circle at a local Jambalaya festival in Central Florida. Their biggest hit was “Bad Boys,” the theme song to COPS. If anything, that concert should have traumatized me. But, at the time I had no comprehension of any crassness. I just remember the guitarist making eye contact with me and smiling, and feeling excitement over having a brief connection with someone who was making me dance.

It’s the same thing with listening to music with words in another language. It’s not necessary to understand words or literal meanings. It’s the way the melodies and rhythms evoke feeling. It’s like that saying about art, how you may not be able to explain it, but you know it when you see it. I can’t always describe music (although obviously, I sure as hell try to), but I know what I like when I feel it, and I think those who can evoke that feeling deserve to be acknowledged for it. That’s what I want to describe. That’s what I want to share.

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