Festival Preview: Noise Pop

Written by  Published in Festivals Tuesday, 10 January 2012 18:23

Noise_Pop_Festival

This week we’re giving Australia and it’s abundance of summer (yes, it's summer down there right now) festivals a rest, and highlighting a San Francisco one we’re excited about: Noise Pop. Running from February 21 – 26, Noise Pop combines indie music, local arts, an interactive workshop exploring DIY culture, gallery shows, and happy hours. Plus, this year is its 20th Anniversary, and they’ve got a great lineup; i.e., a gold mine of new music and  new bands. For example:

Born Gold

Sister Crayon

Wye Oak

Veronica Falls

Talkdemonic

Surfer Blood

And Bay Area natives Fresh & Onlys:

Plus seasoned favorites like Archers of Loaf, Built to Spill, and Cursive.

A general badge for all shows across 16 venues will run you $150, although for some reason this excludes Die Antwoord’s show at the Regency. The complete schedule grid can be found here, where you can also plan out your own schedule of events to check out. Of course there’s good ol’ Facebook to keep track of updates, as well as Twitter for those timely announcements.
Last modified on Monday, 16 January 2012 20:21
Kelly Knapp

I grew up listening to the music my parents listened to. My mom gave me some of her “Golden Oldies” cassette tapes, and I could sit in my room for hours harmonizing with The Ronettes, and staring at Del Shannon, who I thought was a total stud in his tiny black and white photo on the glossy fold-out insert. I listened to Willie Nelson because my Dad admired him so much, and I wanted to understand what was so great about him too. My first concert wasn’t a huge life changer; I saw Inner Circle at a local Jambalaya festival in Central Florida. Their biggest hit was “Bad Boys,” the theme song to COPS. If anything, that concert should have traumatized me. But, at the time I had no comprehension of any crassness. I just remember the guitarist making eye contact with me and smiling, and feeling excitement over having a brief connection with someone who was making me dance.

It’s the same thing with listening to music with words in another language. It’s not necessary to understand words or literal meanings. It’s the way the melodies and rhythms evoke feeling. It’s like that saying about art, how you may not be able to explain it, but you know it when you see it. I can’t always describe music (although obviously, I sure as hell try to), but I know what I like when I feel it, and I think those who can evoke that feeling deserve to be acknowledged for it. That’s what I want to describe. That’s what I want to share.

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