Wakarusa Festival 2012

Written by  Published in Festivals Monday, 16 April 2012 19:45

wakarusafest

With the end of May comes Wakarusa Festival, running from May 31st to June 3rd in the Ozark Mountains of Arkansas. With that kind of scenery, the nature aspect is just as much a part of the festival experience as the music, and the two together is surely a powerful force. As a result, the lineup is a goldmine of world, roots, funk and psychedelic soul bands that you haven’t heard of yet, and even more variations on that theme.

One of the standout examples of some funky psychedelic soul is Monophonics. Many of their songs sound like straight up throwback tracks off fuzzy 45s. They pay their respects to the past, and also incorporate more modern hip hop edges on certain tracks, like this video for  “Loose Nukes"

Hearts of Darkness also sound like they could have been around back in the day, and throw in more afro-beat spice to their jams. Have a listen to “Numeration” on their Soundcloud.

More on the folk side of the spectrum is Futurebirds. They play fun pop song melodies with a banjo added in for a good ol’ barn raisin’ time. They’re the kind of band you want to raise your beer to and shout along with.

 

Rubblebucket explores a darker, more experimental side of psychedelic funk, which they showcase well in their video for “Down in the Yards.” Nothing like hedonism in a muddy graveyard to get you in the mood.

San Francisco-based trio Beats Antique pull from old world influences for their own brand of electronic and world roots hybrid, especially Middle Eastern and Eastern European. They immerse audiences in music and culture, with a dedicated belly dancer to turn their live performances into vivid, primal performance art.

Tickets are available for one, two, and full three day rates, and of course there are camping packages. When you aren’t checking out music you can spend the days taking in the art installations, getting in some yoga time, and Friday night there’s a costume contest and parade. No doubt that is a spectacle.

Last modified on Saturday, 28 April 2012 11:20
Kelly Knapp

I grew up listening to the music my parents listened to. My mom gave me some of her “Golden Oldies” cassette tapes, and I could sit in my room for hours harmonizing with The Ronettes, and staring at Del Shannon, who I thought was a total stud in his tiny black and white photo on the glossy fold-out insert. I listened to Willie Nelson because my Dad admired him so much, and I wanted to understand what was so great about him too. My first concert wasn’t a huge life changer; I saw Inner Circle at a local Jambalaya festival in Central Florida. Their biggest hit was “Bad Boys,” the theme song to COPS. If anything, that concert should have traumatized me. But, at the time I had no comprehension of any crassness. I just remember the guitarist making eye contact with me and smiling, and feeling excitement over having a brief connection with someone who was making me dance.

It’s the same thing with listening to music with words in another language. It’s not necessary to understand words or literal meanings. It’s the way the melodies and rhythms evoke feeling. It’s like that saying about art, how you may not be able to explain it, but you know it when you see it. I can’t always describe music (although obviously, I sure as hell try to), but I know what I like when I feel it, and I think those who can evoke that feeling deserve to be acknowledged for it. That’s what I want to describe. That’s what I want to share.

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