Festival Preview: Forecastle 2012

Written by  Published in Festivals Wednesday, 06 June 2012 17:44

Forecastle_Preview

Forecastle is a prime example of a festival that started out completely grassroots, and grew exponentially while still keeping the original philosophies of representing the local community of Louisville, KY music, arts, and activism. From July 13-15, you can experience all three elements converged into a bunch of shows and parties. Here are a few notable ones to try to check out:

Beach House – just released their new beautiful LP Bloom, and if you’re in love with those songs like we are, this is a perfect time to catch them live.

Cabin – “Just a band from Louisville, KY.” Fans of The Album Leaf and Explosions in the Sky will likely take a liking to these guys, with their epicly thoughtful orchestral rock.

 

Floating Action – Their name pretty much sums up their sound. Listen to these guys and see the world through a hazy lens of daydreams.

Everest – former members of Sebadoh, Earlimart, and the Watson Twins, this L.A.-based group sounds polished, pointed, and really easy on the ears.

These shows all spread between a big outdoor waterfront venue and a smaller indoor club. You can also catch the sounds of Preservation Jazz Hall Band and others on the oldest operating Mississippi-style steamboat in the world, called the Belle of Louisville. That’s a deal maker in itself.

Tix to all festivities are available here

Last modified on Thursday, 07 June 2012 10:26
Kelly Knapp

I grew up listening to the music my parents listened to. My mom gave me some of her “Golden Oldies” cassette tapes, and I could sit in my room for hours harmonizing with The Ronettes, and staring at Del Shannon, who I thought was a total stud in his tiny black and white photo on the glossy fold-out insert. I listened to Willie Nelson because my Dad admired him so much, and I wanted to understand what was so great about him too. My first concert wasn’t a huge life changer; I saw Inner Circle at a local Jambalaya festival in Central Florida. Their biggest hit was “Bad Boys,” the theme song to COPS. If anything, that concert should have traumatized me. But, at the time I had no comprehension of any crassness. I just remember the guitarist making eye contact with me and smiling, and feeling excitement over having a brief connection with someone who was making me dance.

It’s the same thing with listening to music with words in another language. It’s not necessary to understand words or literal meanings. It’s the way the melodies and rhythms evoke feeling. It’s like that saying about art, how you may not be able to explain it, but you know it when you see it. I can’t always describe music (although obviously, I sure as hell try to), but I know what I like when I feel it, and I think those who can evoke that feeling deserve to be acknowledged for it. That’s what I want to describe. That’s what I want to share.

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