The Governors Ball Music Festival

Written by  Published in Festivals Monday, 11 June 2012 19:00

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If you’ve watched any music videos on YouTube in the past month or so, you’ve probably seen an ad for The Governors Ball Music Festival in NYC hovering over the bottom third of the video, promoting Beck, Passion Pit, Kid Cudi, Modest Mouse, and others. This festival is normally held on, surprise, Governors Island, but due to construction and general accessibility issues, this year it will be on Randalls Island June 23 & 24. Probably for the best, as now no one has to worry about trying to compete with hundreds of adrenaline-pumped ravers high on Phantagram (who are back again this year) and Caribou all trying to board a ferry at once to get back to the mainland. Really though, it’s a fun festival, with a lineup almost entirely of bands who command serious dance parties.

As this festival features “some of the biggest and best acts in live music,” there aren’t as many bands you haven’t already heard of yet, but there are a couple of noteworthy new emergers:

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Turf War: Modern rock music for drinking from Atlanta, GA.

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Alberta Cross – Could fit right in with your collection of favorite 90s alternative British bands, but with a Swedish accent.

And we can’t pretend we didn’t notice the recent re-amergence of Fiona Apple, who is still as mischievous, poetically confessional, and slightly unsettling as ever.

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Tickets are still available, including all kinds of transportation, here.

Last modified on Tuesday, 12 June 2012 09:40
Kelly Knapp

I grew up listening to the music my parents listened to. My mom gave me some of her “Golden Oldies” cassette tapes, and I could sit in my room for hours harmonizing with The Ronettes, and staring at Del Shannon, who I thought was a total stud in his tiny black and white photo on the glossy fold-out insert. I listened to Willie Nelson because my Dad admired him so much, and I wanted to understand what was so great about him too. My first concert wasn’t a huge life changer; I saw Inner Circle at a local Jambalaya festival in Central Florida. Their biggest hit was “Bad Boys,” the theme song to COPS. If anything, that concert should have traumatized me. But, at the time I had no comprehension of any crassness. I just remember the guitarist making eye contact with me and smiling, and feeling excitement over having a brief connection with someone who was making me dance.

It’s the same thing with listening to music with words in another language. It’s not necessary to understand words or literal meanings. It’s the way the melodies and rhythms evoke feeling. It’s like that saying about art, how you may not be able to explain it, but you know it when you see it. I can’t always describe music (although obviously, I sure as hell try to), but I know what I like when I feel it, and I think those who can evoke that feeling deserve to be acknowledged for it. That’s what I want to describe. That’s what I want to share.

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