Festival Preview: Reading & Leeds 2012

Written by  Published in Festivals Wednesday, 01 August 2012 16:10

THE-CURE2012-ANDY_VELLA

Reading and Leeds are technically the same festival, held over the same three-day weekend, with all the same bands performing across seven different stages. What’s the difference, then? Just that one is held in Reading, England, and the other is in Leeds, England. Reading is the original leg of the two, and is in fact the world’s oldest popular music festival still in existence. Leeds was added as a second festival site as the result of Reading just being too damn popular to accommodate the growing population of music hungry attendees. The festival always takes place on a bank holiday, and this year that falls on August 24-26. What better way to spend a bank holiday than to blow all your cash at a music festival? Genius.

Music happens simultaneously at both sites with the bands playing the same stages on different days and time slots, so which one you pick doesn’t really matter, although Reading continues to be the more popular site. There is a history of bottling being a long-carried tradition at Reading (i.e., bands getting forced offstage from having bottles and cans chucked at their face), so here are some bands that we reckon are safe bets for being the best music to see live, and less likely to have any disgruntled bottle-hoarders expressing how they feel a band is not as worthy for the stage.

On the main stage will be the iconic The Cure, (shown above- Image by Andy Vella ) who surprisingly haven’t played the festival since 1979, along with newer acts Band of Skulls, The Black Keys, Florence and the Machine, and OFWGKTA, to name a few.

On the NME/Radio 1 Stage festival goers will a fantastically eclectic mix with likes of Passion Pit, At the Drive-In, SBTRKT, The Horrors, Justice, Mark Lanegan Band, The Joy Formidable, and Django Django.

The Dance Stage is much smaller, but much…dancier? It’s where you’ll find Metronomy, Grimes, and Azealia Banks.

The Festival Republic Stage looks like a sure bet, with some of the best new indie bands like Veronica Falls, Alt-J, JEFF the Brotherhood, FIDLAR, Theme Park, 2.54, and Iceage.

All tickets must be purchased in advance, as there will be no on-site box office. As far as Reading goes, the festival anticipates all remaining weekend tickets to be sold out by August 20th, so ain’t no time to delay if you want to be a part of this legendary festival experience. It seems that more tickets are left for Leeds, if that’s more your fancy. Follow the latest news and whatnot on the festival Facebook and Twitter.

Last modified on Thursday, 02 August 2012 15:11
Kelly Knapp

I grew up listening to the music my parents listened to. My mom gave me some of her “Golden Oldies” cassette tapes, and I could sit in my room for hours harmonizing with The Ronettes, and staring at Del Shannon, who I thought was a total stud in his tiny black and white photo on the glossy fold-out insert. I listened to Willie Nelson because my Dad admired him so much, and I wanted to understand what was so great about him too. My first concert wasn’t a huge life changer; I saw Inner Circle at a local Jambalaya festival in Central Florida. Their biggest hit was “Bad Boys,” the theme song to COPS. If anything, that concert should have traumatized me. But, at the time I had no comprehension of any crassness. I just remember the guitarist making eye contact with me and smiling, and feeling excitement over having a brief connection with someone who was making me dance.

It’s the same thing with listening to music with words in another language. It’s not necessary to understand words or literal meanings. It’s the way the melodies and rhythms evoke feeling. It’s like that saying about art, how you may not be able to explain it, but you know it when you see it. I can’t always describe music (although obviously, I sure as hell try to), but I know what I like when I feel it, and I think those who can evoke that feeling deserve to be acknowledged for it. That’s what I want to describe. That’s what I want to share.

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