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TV Appearance: LA rockers @BewareoDarkness just made their network TV debut on @ConanOBrien. New album and tour. http://t.co/F2bkpYkoKR
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Interview: Samuel and Sinosa of LA avant pop band @folchen discuss their latest album and musical etch-a-sketch. http://t.co/yzE3rFnINV
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Review: Limits of Desire from Small Black. The "drum and drifting voice carries us through." @SmallBlk @jagjaguwar http://t.co/Q4PcACz0sa
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Featured Artist: The Neighbourhood, now touring the US, supporting their new album @ColumbiaRecords. @thenbhd http://t.co/wQH8As8arH
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Fol Chen on Their New Album, Musical Inventions, and Making a Whole New Kind of Sense Album Review: Small Black, Limits of Desire The Laurels Liven Up Seattle at Sunset Tavern Featured Artist: The Neighbourhood RNDM Acts Like Pros in Los Angeles The Last Royals’ Eric James Discusses Festivals, Springsteen and How He’s Become A New Man Wild Nothing - Empty Estate EP Audacity’s Kyle Gibson Discusses Orange County, Touring And Their Upcoming Album Album Review: Big Black Delta Little Daylight Produces A Big Sound At LA's Bootleg Bar Featured artist: Born Ruffians Album Review: Hands - Synesthesia
Fol Chen on Their New Album, Musical Inventions, and Making a Whole New Kind of Sense
I’ve always kind of imagined the members of Fol Chen writing songs the way scientists would conduct experiments in a laboratory, with beakers and Petri dishes and controlled explosions - - - READ MORE
Album Review: Small Black, Limits of Desire
Small Black proves that they know how to place themselves perfectly amidst their fellow, reputable acts of the “chillwave” (a label the band eschews) persuasion, while breaking free of such genre ties - - - READ MORE
The Laurels Liven Up Seattle at Sunset Tavern
After long or short trips to and from (and perhaps at) Austin Psych Fest, many of the attendees and bands have found themselves safely, and maybe a bit post-festival sickly, at home and in bed. - - - READ MORE
Featured Artist: The Neighbourhood
In a time when the Internet is a kingmaker, it’s hard for a band to come from literally nowhere to land on the airwaves across the globe. But when you’re a band from the farthest stretches of Los Angeles - - - READ MORE
RNDM Acts Like Pros in Los Angeles
There’s something pure about seeing a three-piece band rock like they’re playing in their garage or rehearsal. Yes, many of the big outfits over the years have been quartets, but that doesn’t take away - - - READ MORE
The Last Royals’ Eric James Discusses Festivals, Springsteen and How He’s Become A New Man
Eric James and Mason Ingram define their musical genre as “Urban Walking Music,” on - - - READ MORE
Wild Nothing - Empty Estate EP
The new Wild Nothing EP, Empty Estate, takes a minute of getting used to. It’s seven songs recorded in ten days, and it translates that feeling of being swept up rather quickly before regaining - - - READ MORE
Audacity’s Kyle Gibson Discusses Orange County, Touring And Their Upcoming Album
If the guys in Audacity know one thing, it’s how to have fun. The quartet is gearing up for a month-long tour with the legendary Man Or Astro-Man?, including a show at L.A.’s The Satellite, before playing - - - READ MORE
Album Review: Big Black Delta
Jonathan Bates discovered the freedom of making music digitally after buying his friend Alessandro Cortini’s (Nine Inch Nails) laptop. Shortly thereafter, Big Black Delta was born. - - - READ MORE
Little Daylight Produces A Big Sound At LA's Bootleg Bar
Little Daylight started off remixing the likes of Freelance Whales and Edward Sharpe & The Magnetic Zeros, but 2013 sees the Brooklyn-based trio step out from behind the remix mask, and boy are we - - - READ MORE
Featured artist: Born Ruffians
The varying equation of determining what is a best new band, a rising band or a potential star is often a complex one. But above anything else, the one prerequisite that’s more important than - - - READ MORE
Album Review: Hands - Synesthesia
Synesthesia is defined as “The production of a sense impression relating to one sense or part of the body by stimulation of another sense or part of the body” and couldn’t be a better title for Hands’ - - - READ MORE
The Laurels Liven Up Seattle at Sunset Tavern

The Laurels Liven Up Seattle at Sunset Tavern

14 May 2013

After long or short trips to and from (and perhaps at) Austin Psych Fest, many of the attendees and bands have found themselves safely,...

Fol Chen on Their New Album, Musical Inventions, and Making a Whole New Kind of Sense

Fol Chen on Their New Album, Musical Inventions, and Making...

16 May 2013

I’ve always kind of imagined the members of Fol Chen writing songs the way scientists would conduct experiments in a laboratory, with beakers and...

Album Review: Small Black, Limits of Desire

Album Review: Small Black, Limits of Desire

16 May 2013

If I were to tell you that today I had a red wine with my fancy seafood platter, any traditionalist might feel confused, aghast,...

Features

Featured Artist: The Neighbourhood

Featured Artist: The Neighbourhood

15 May 2013

In a time when the Internet is a kingmaker, it’s hard for a band to come from literally nowhere to land on the airwaves across the globe. But when you’re a band from the farthest stretches of Los Angeles county and have only been together for 18...

Mixtape 22: Warpaint, Pyyramids And More

Mixtape 22: Warpaint, Pyyramids And More

14 May 2013

This week we're revisiting our coverage of the Austin Psych Fest. The first day of the festival Kristen immediately took to some awesome bands between hitting up $1 Lonestars and salt lick BBQ, including the brilliant ladies of Warpaint. Kristen also reviewed Pyyramids’ (the duo of Tim...

Featured artist: Born Ruffians

Featured artist: Born Ruffians

08 May 2013

The varying equation of determining what is a best new band, a rising band or a potential star is often a complex one. But above anything else, the one prerequisite that’s more important than anything else is that band needs to be great and have its brighter...

Of Monsters And Men, Vampire Weekend, Kanye To Close SNL Season

Of Monsters And Men, Vampire Weekend, Kanye To Close SNL Season

03 May 2013

Season 38 of NBC standby Saturday Night Live will finish with a musical flourish after a three-week hiatus.  This Saturday (4), guest host Zach Galifianakis will be joined by Of Monsters and Men.  A week later (11), SNL alum Kristen Wiig hosts musical guests Vampire Weekend.  And...

Featured Artist - Fitz And The Tantrums

Featured Artist - Fitz And The Tantrums

02 May 2013

One of the freshest sounding new bands to emerge from Los Angeles in the past handful of years is Fitz and The Tantrums. Though they’ve been pigeonholed as a neo-soul ensemble, there’s much more to them than this. For starters, they’re dynamic entertainers with an incredible, high-energy...

Mixtape 21: Savages, Kid Congo & The Pink Monkey Birds And Many More

Mixtape 21: Savages, Kid Congo & The Pink Monkey Birds And Many More

29 April 2013

Last week took a walk on the darker side, in a good way. The first half of this mix exemplifies that feeling of dancing in the shadows, starting off with a track from Savages (https://www.facebook.com/savagestheband), who Brigit saw live at Neumos in Seattle. Then we get lighter...

Featured Artist: Dawes

Featured Artist: Dawes

25 April 2013

When a band is labeled as a throwback, it could be a blessing or a curse. On one hand, it means that you understand the history and foundation of where great music is made and are honoring that tradition. Contrarily, it could mean that you haven’t adapted...

Mixtape 20: Earl Sweatshirt, Pinkunoizu, The Men and More

Mixtape 20: Earl Sweatshirt, Pinkunoizu, The Men and More

22 April 2013

This was a strange week, in that a lot happened but it feels like nothing happened at the same time. It’s like when you take a vacation, and a lot happens, but when you get back and your friends ask you what you did, you can’t really...

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Cloud Nothings and Indian Rebound at Mercury Lounge

Written by  Published in Live Reviews Wednesday, 13 April 2011 16:00

Cloud_Nothings4

Last night NYC was total rain city. My feet were thoroughly soaked before I even got to the train to head to Mercury Lounge, but I’d already missed Cloud Nothings several times in the past few months, so I was going no matter what. Consequently, not as many people had the same motivation to get out in the deluge. When I arrived, it felt too early to be a late show, and the floor was sparse with bodies. That changed when Cloud Nothings eventually went on, but I have to admit I expected a little more out of the crowd for this show.

Nonetheless, Indian Rebound came out with immediate energy. New York natives Ethan Levenson, John Kallen, and Gianni de Falco are still in high school, but they sound older. Already, there is evidence of influences from the 50s, 60s, and definitely 90s, along with some borrowed sound from the contemporary local bands who also borrow from earlier sound. It’s a big tangled musical web we weave. They opened with “Crack a Smile,” and went into another song that sounded similar until the drummer busted out with a 50s rock n’ roll beat out of nowhere midway through. It’s strange how classic concepts can still sound refreshing, and this was.

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In contrast to that, “Baby Blue” opened with what sounded reminiscent of a Dinosaur Jr. guitar riff. Falco said after the show that Pavement was his favorite band, confirming my suspicions of 90s indie rock inspiration. Adding to the nostalgia, they had cassettes for sale. How cute is that? The band added that the cassettes come with a download code for the songs, since cassettes aren’t very practical, and also that they will have a proper album soon,. Side A of their self-titled cassette contains tracks “Make You Mine” and “I’m Not Yours.” Adolescent indecisiveness, much? It’s so easy to look at these guys and go, “awww,” but in all seriousness, they’ve got all the right elements to be great, and they are definitely honing their skills. Falco executes lots of attention-grabbing guitar solos, he and Levenson both do so much pedal stomping it’s almost like watching someone play Dance Dance Revolution, Kallen’s drumming is tight, and they all have a good stage presence. On the last song Levenson sang “I don’t wanna go home” before kicking his guitar on the floor of the stage to solicit feedback (and applause). I can see these guys putting on some crazy shows in the future.

Indian_Rebound


We love Cloud Nothings here at BestNewBands.com. Collin recently reviewed their show in Portland, and I interviewed Dylan back in February. I was happy that I would finally get to witness their live show for myself.

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Cloud Nothings wasted little time taking the stage after Indian Rebound, with Dylan Baldi placing both a bottle of water and bottle of honey next to his monitor before sound checking his guitar. Come to find out, he was loosing his voice, “so I’m going to drink honey between songs, which is weird, so don’t laugh at me while I do it,” he advised us after playing the first song, “Turning On.” He took a good squirt of it his mouth and made a face. “I hate honey so much.”

The honey seemed to be working, although Baldi’s vocals did sound more nasally than usual; especially on “Should Have,” when he sang “I always knew/I’d follow you,” it was a little more like a chipmunk version. Despite that, he still delivered the high energy show I expected. When they played “Hey Cool Kid,” one lone cool kid ran up to the front of the stage to dance. I was surprised at how subdued the rest of the crowd seemed to be, standing about 5 feet back from the stage and dancing, but not going crazy and rocking out like I thought they would. Even “Can’t Stay Awake” couldn’t get feet moving the way it should have, but I guess the rain really did put a damper on people’s moods, and not even the drummer’s California Raisons t-shirt could get more than a smirk.

They threw a new song into the mix that I haven’t heard before, and Collin was right – they totally blew through their set. It reminded me of the Ramones, when their answer for all their songs being around the minute and a half mark was because they just played so fast. Cloud Nothings play their songs super fast, and that’s they way they are supposed to be. These aren’t songs for deep reverie, just short bursts of energy. The last song of the set was “All the Time,” and the last energetic burst of the night. I sort of wished they had a more involved crowd to bounce energy off of, but this sort of thing happens all the time. At least that’s what they know.

Cloud_Nothings

This was a one-off for Indian Rebound with Cloud Nothings, but they will have a show at Pianos April 16th. Cloud Nothings heads to Canada today for a couple shows in Montreal and Toronto, before landing back in their hometown of Cleavland, OH.
Last modified on Tuesday, 10 May 2011 15:31
Kelly Knapp

I grew up listening to the music my parents listened to. My mom gave me some of her “Golden Oldies” cassette tapes, and I could sit in my room for hours harmonizing with The Ronettes, and staring at Del Shannon, who I thought was a total stud in his tiny black and white photo on the glossy fold-out insert. I listened to Willie Nelson because my Dad admired him so much, and I wanted to understand what was so great about him too. My first concert wasn’t a huge life changer; I saw Inner Circle at a local Jambalaya festival in Central Florida. Their biggest hit was “Bad Boys,” the theme song to COPS. If anything, that concert should have traumatized me. But, at the time I had no comprehension of any crassness. I just remember the guitarist making eye contact with me and smiling, and feeling excitement over having a brief connection with someone who was making me dance.

It’s the same thing with listening to music with words in another language. It’s not necessary to understand words or literal meanings. It’s the way the melodies and rhythms evoke feeling. It’s like that saying about art, how you may not be able to explain it, but you know it when you see it. I can’t always describe music (although obviously, I sure as hell try to), but I know what I like when I feel it, and I think those who can evoke that feeling deserve to be acknowledged for it. That’s what I want to describe. That’s what I want to share.

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