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BROODS, You’ve Got It Going On -- MS MR Discuss Their Burgeoning Pop Success -- The Legend of Mac DeMarco -- Sylvan Esso Releases “Play It Right” Live Video At Sofar London -- Album Preview: The Antlers – Familiars -- Little Daylight Brightens Up the Bottom Lounge -- We Talk With Maya Tuttle Of The Colourist -- London Grammar Make Music A Religious Experience -- Check Out Our Interview With Birdy -- Church in Session With Daniel Rossen 5 New Bands To See At Coachella -- Everybody Loves You, Betty Who --
BROODS, You’ve Got It Going On -- READ MORE
MS MR Discuss Their Burgeoning Pop Success -- READ MORE
The Legend of Mac DeMarco -- READ MORE
Sylvan Esso Releases “Play It Right” Live Video At Sofar London -- READ MORE
Album Preview: The Antlers – Familiars -- READ MORE
Little Daylight Brightens Up the Bottom Lounge -- READ MORE
We Talk With Maya Tuttle Of The Colourist -- READ MORE
London Grammar Make Music A Religious Experience -- READ MORE
Check Out Our Interview With Birdy -- READ MORE
Church in Session With Daniel Rossen READ MORE
5 New Bands To See At Coachella -- READ MORE
Everybody Loves You, Betty Who -- READ MORE
Whiskey Shivers Know How to Entertain

Whiskey Shivers Know How to Entertain

17 April 2014

Nashville - I’m just going to lay it out there: roots/bluegrass/folk music is not my thing. If I had to pick one genre to...

BROODS, You’ve Got It Going On

BROODS, You’ve Got It Going On

17 April 2014

Chicago – Chances are by now you’ve heard “Bridges,” by New Zealand sibling duo BROODS. Caleb Nott and his younger sister Georgia took a...

Scavenger Hunt’s Self-titled EP is Ethereal

Scavenger Hunt’s Self-titled EP is Ethereal

14 April 2014

Nashville - What do you get when you get when you combine a pop vocalist and an 80’s musicality? Out of the musical depths...

Features

BROODS, You’ve Got It Going On

BROODS, You’ve Got It Going On

17 April 2014

Chicago – Chances are by now you’ve heard “Bridges,” by New Zealand sibling duo BROODS. Caleb Nott and his younger sister Georgia took a hold of everyone in the music biz and blogosphere with their irresistible electro-pop single before they even released their self-titled EP, which was...

MS MR Discuss Their Burgeoning Pop Success

MS MR Discuss Their Burgeoning Pop Success

15 April 2014

Austin - The duo of Lizzy Palpinger and Max Hershnow, better known as MS MR, has been creating music together since 2012 though both are no strangers to the music industry.  Palpinger as the founder of Neon Gold Records and Hershnow as a producer.  Sharing a love...

Sylvan Esso Releases “Play It Right” Live Video At Sofar London

Sylvan Esso Releases “Play It Right” Live Video At Sofar London

15 April 2014

New York - Sylvan Esso was not meant to be a band.  Rather, Amelia Meath had written a song called “Play It Right” and sung it with her trio Mountain Man.  She’d met Nick Sanborn, an electronic producer working under the name Made of Oak, in passing...

Scavenger Hunt’s Self-titled EP is Ethereal

Scavenger Hunt’s Self-titled EP is Ethereal

14 April 2014

Nashville - What do you get when you get when you combine a pop vocalist and an 80’s musicality? Out of the musical depths of Los Angeles emerges Jill Lamoureaux and Dan Mufson of Scavenger Hunt, a musical duo that has recently released their debut self-titled EP...

Album Preview: The Antlers – Familiars

Album Preview: The Antlers – Familiars

14 April 2014

Brooklyn – For a band that built its brand on evocative and sentimental lyrical narratives, we would expect nothing less than for The Antlers to bowl us over once more. The group has been busily curating their next stack of tracks and, as usual, the first cut...

Showcase: Wednesday At Bar Matchless In Brooklyn

Showcase: Wednesday At Bar Matchless In Brooklyn

14 April 2014

New York - The first real signs of Spring are finally beginning to emerge for us here in the city that never sleeps, but just because the nights are getting shorter and the sun’s rays are getting longer doesn’t mean we’re easing up on our monthly showcase....

We Talk With Maya Tuttle Of The Colourist

We Talk With Maya Tuttle Of The Colourist

13 April 2014

Seattle -- Since the release of their debut full-length album last month, Orange County-based The Colourist has been making a splash with their, as BestNewBands.com's writer Beth McAllister put it in her review, “relatable front with an eccentric twist.” While selling out shows on their first-ever headlining tour...

Record Store Day - Special Releases By New Bands

Record Store Day - Special Releases By New Bands

11 April 2014

New York - Record Store Day is just a week away! Marked as a day of record store culture celebration, and when hundreds of artists release special vinyls, CDs, and cassettes, rarities and splits, to remind us why physical stores need to exist. Every year there is...

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Concert Review: The Airborne Toxic Event Exhilarates the Music Box

Written by  Published in Live Reviews Friday, 29 April 2011 16:00

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Up into Hollywood, climbing streets, dodging pedestrians and stopped cars, I went. Only a few hours ago, it feels like years. Paid a stranger to take my car—strange, when you put it like that. I stood in front of The Music Box’s bright marquee where it read THE AIRBORNE TOXIC EVENT.

Down into dim light, breathing lightly, weaving through people and ushers, I went. Onto a checkered floor which would later be littered with crushed cups and painted with a sticky film. The crowd stood humming with chatter as it always does. Strange faces and things on walls—I’m dreaming in this place, a nightmare? Perspectives skewing and faces laughing? I’m awake and the light dims and the crowd roars and the heavy blue curtain rises in scallops. Five people take their places and the song begins and the lights are purple with secret expectations. Mikel Jollett opens his mouth and sings the first words to “Numb” from the new album All At Once (read my review here) and I smile and everyone else smiles. I have missed this voice. The ooo’s and the high-pitched guitars and the running drums and his honey thick voice, they wash over everything.

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It was 2009 and I drove alone. New to the city with no direction—literally, I was lost. In route to the Echoplex, where am I? Driving in circles around Echo Park, fearful I will miss the show. Finally, frantically, I find my way and I enter the dim club and a few minutes later I see them for the first time and they’re so close and I can cheer and sing and no one can hear me. They play “Something Around Midnight” and “Something New” and “Missy” and my heart throbs and they play “Innocence” and my heart stops. I hang around after the show and go talk to Mikel who is friendly and genial. I say something stupid with a shaky voice and I make my way back to my car and drive home, listening to “Innocence” again and again. Tears dry on my cheeks.

I look around now. The red keyboard sits on stacked books; white umbrellas hang upside down from the rafters above the stage. The white accents on the bands’ clothing glow, electric under ultraviolet light. Anna Bullbrook has really tight leather pants on and she looks like Sandy from Grease but without a perm. She is attractive. She hangs and bobs her head while she spreads her fingers across keys, possessed by some sort of aching passion.

No pausing as the band heads straight into “All I’ve Ever Wanted.” The song is slow then fast and the crowd jumps and the violin jumps and the sticks run on cymbals and the bass is fleeing and I can’t hear Mikel all too well but it’s ok because the energy is intoxicating.

Then it stops, he stops, Mikel, and he walks to the keyboard. He plays glittering notes, glittering keys and broad guitar riffs yell and then the bass drum the bass drum thumps and thumps and “Wishing Well” is alive. Smoky fingertips graze the stage hauntingly in the blue light. And the bass drum thumps. The next song begins, “This Losing”, and the vintage piano or organ I’mnotsosure is played and bassist Noah Harmon plays his bass with a bow and there is jamming, lots of jamming.

Mikel croons out the next song, “Book of Love”—a cover by Magnetic Fields. (I do some research and realize this is for his grandmother. This is an emotional track for him.) I swoon. My notes say, “Oh, Mikel…” The band plays another song, Mikel tells us it is based a short story and it’s called “Girls in Summer Dresses.”

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Mikel is a real writer, by the way—whatever that means. Before he began The Airborne Toxic Event, he contributed to various publications and had a short story ("The Crack") published. The other band members are equally as impressive. Anna, Noah, and guitarist/keyboardist Steven Chen are all classically trained multi-instrumentalists who swapped instruments throughout the set. The band has all sorts of musical and professional backgrounds, which gives them a sense of depth and dimension.

Anyways. Back to the haze and chill. Next up is “All for a Woman.” Sensual, looming; the guitar is some beautiful woman, silhouetted in full form throughout the entire song and through a solo that is reeling and perfect. “It Doesn’t Mean a Thing” is fun as the band merrily and casually switches instruments. More dainty keys over quick strummed basslines resound and I’m wondering if this is “Sometime Around Midnight.” It is quicker and more thoughtful but still reminiscent of that filling feeling. It is “Half of Something Else”.

Mikel thanks his producer Dave Sardy, whom is in attendance this evening and is apparently “very sarcastic.” Then gruff riffs in time with bass kicks and cymbals clangs thunder out and quickly die and Mikel growls into the silence: “And speaking of, Little Miss Kath-er-ine, I feel swell, oo-oo-oh well…” Suddenly the crowd is alive at this song they know and love (“Happiness is Overrated”) and the band is smiling at the crowd’s reaction and everyone’s yelling and laughing and I’m not taking notes because I’m too busy jumping and singing and moving. Keeping with the first album energy Mikel sits on the edge of the stage as they move into “Gasoline”. The crowd is enamored.

The next song is the new single from All at Once, “Changing”. The crowd, of course, goes wild for that undeniable hook: “I AM a gentleMAN didn’t I…” “Goodbye Horses” comes next and I reach my low point for the show. The song is boring and seems to drag on and on—maybe I am still engrossed by that painfully catchy hook but this felt void of emotion, which, believe me, is a rare thing for Airborne. Mikel then talks a little in a perfect raspy voice to introduce “The Kids Are Ready to Die”—most memorable is his saying “[You] can’t send kids to die for somebody’s lie.” The angry ballad, if anything, has been made Mikel Jollet’s bitch, beginning with “Sometime Around Midnight” and continuing with this song. He has perfected a sympathizing and brooding angst. The band, much to my delight, finally plays my favorite track off the new album, “Welcome to Your Wedding Day”, which is revitalizing in a hell-yeah, Green Day sort of way.

The inevitable “Sometime Around Midnight” is played and of course the crowd goes wild. Something unfortunately feels off—something is out of pitch. The keys that seem to have been set in some sort of loop? Anna walks around the stage, puzzled, while the rest of the band presses through with the occasional questioning glance. The crowd, however, is unfazed.

Mikel then begins to sing something unrecognizable but then it’s recognizable and it is the intro to “Innocence” but with words with a new intro and I am ecstatic because I love this song. After four or so minutes of pure ecstasy they finish and walk off with hundreds of hands clapping behind them.

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And the clapping doesn’t stop for a solid three minutes and a very fat old man behind me is banging his cane on the floor and whooping and of course they come back out and they launch into “Papillion” and it’s plain awesome. The encore is a blur of bass solos and Anna crowd surfing with tambourine in hand and “Missy” and shout-outs to LA and more specifically to the Mexicans of LA (this got lots of cheers) and to Mikel’s grandmother and an introduction of each of the band members and a discussion about drummer Daren Taylor’s moustache and it finishes with “All At Once” and the crowd roars. The curtain closes but Mikel stays and is swarmed with fans and the venue clears and the checkered floor is sticky with beer and littered with crushed cups.

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Check their tour schedule here, or catch their next show (after their LA shows) in Frisco, TX on April 30th at Pizza Hut Park. Get tickets here.
Also, be sure to read my review of All At Once.

Last modified on Tuesday, 03 May 2011 16:45
Claire Gallagher

Claire Gallagher is from Las Vegas, Nevada.  She grew up under blinking signs for Girls, Girls, Girls! and she hummed to the clanky sounds of slot machines in casinos and grocery stores and airports.   She now attends school at UCLA and is becoming very intimately acquainted with the kick-ass music scene Los Angeles so sweetly provides. When Claire is not on the back of a horse or playing with her pet snake, Skittles, she is listening to music, eating orange chicken, or spinning around in her rolly chair.  She is fond of tyrannosaurus rexes, John Steinbeck, and the fleeting feeling of post-concert deafness.  You can check her out on tumblr as well.

Website: kidsincities.tumblr.com Email This email address is being protected from spambots. You need JavaScript enabled to view it.