Kelly Knapp

Kelly Knapp

I grew up listening to the music my parents listened to. My mom gave me some of her “Golden Oldies” cassette tapes, and I could sit in my room for hours harmonizing with The Ronettes, and staring at Del Shannon, who I thought was a total stud in his tiny black and white photo on the glossy fold-out insert. I listened to Willie Nelson because my Dad admired him so much, and I wanted to understand what was so great about him too. My first concert wasn’t a huge life changer; I saw Inner Circle at a local Jambalaya festival in Central Florida. Their biggest hit was “Bad Boys,” the theme song to COPS. If anything, that concert should have traumatized me. But, at the time I had no comprehension of any crassness. I just remember the guitarist making eye contact with me and smiling, and feeling excitement over having a brief connection with someone who was making me dance.

It’s the same thing with listening to music with words in another language. It’s not necessary to understand words or literal meanings. It’s the way the melodies and rhythms evoke feeling. It’s like that saying about art, how you may not be able to explain it, but you know it when you see it. I can’t always describe music (although obviously, I sure as hell try to), but I know what I like when I feel it, and I think those who can evoke that feeling deserve to be acknowledged for it. That’s what I want to describe. That’s what I want to share.

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I’ve always kind of imagined the members of Fol Chen writing songs the way scientists would conduct experiments in a laboratory, with beakers and Petri dishes and controlled explosions and all that. After speaking with guitarist Samuel Bing and Vocalist Sinosa Loa for 20 minutes while waiting for a round of hot toddies, I learned all kinds of thi...

Wild Nothing - Empty Estate EP

Published in Album Reviews
Tuesday, 14 May 2013 22:08
The new Wild Nothing EP, Empty Estate, takes a minute of getting used to. It’s seven songs recorded in ten days, and it translates that feeling of being swept up rather quickly before regaining some footing in the familiar. Here we have Jack Tatum experimenting with some new sounds while remarking on how he felt in a very specific time period, af...

Mixtape 22: Warpaint, Pyyramids And More

Published in Mixtapes
Tuesday, 14 May 2013 09:02
This week we're revisiting our coverage of the Austin Psych Fest. The first day of the festival Kristen immediately took to some awesome bands between hitting up $1 Lonestars and salt lick BBQ, including the brilliant ladies of Warpaint. Kristen also reviewed Pyyramids’ (the duo of Tim Nordwind of OK Go and Drea Smith of He Say/She Say) new EP Br...
NYC dream folk band Brazos recently played a residency at Cameo Gallery, chillin out every Tuesday night for a whole month. They’re gearing up to release a brand new album, Saltwater, on May 28, and they recently released a video for “How the Ranks Was Won,” so the band has a good momentum of new material going for them. I caught their first nigh...
I’m not sure exactly what it is about Montreal that lends itself to producing musicians that really know how to perfect the art of an atmospheric soundscape. Graceful, languishing, nuanced, and layered music with just the right amount of fuzz just seems to pour out of the city, and The Besnard Lakes are one of those bands that pull it off superbl...
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Album Review: Silence Yourself, the "raw, powerful" debut from London's all-girl punk group Savages. @Savagesband http://t.co/CG4z2Xy9vd
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Review: UK's Laura Marling at Seattle's @ColumbiaTheater, plugging Once I Was An Eagle, out 5/28. @lauramarlinghq http://t.co/e4JC8L9CzG
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