This is the Kit Plays The Mercury Lounge

Written by  Published in Live Reviews Tuesday, 01 May 2012 09:59

Kit_Kate3

This is the Kit is the songwriting project of Kate Stables, who has a voice like an old friend. Some songs are like a comfortably rollicking lullaby, and others like stimulating psychedelic adventures. For her late set at Mercury Lounge, Stables switched between banjo and electric guitar, and was joined by a drummer and bassist. The latter was sporting one of their chain mail hood shirts under an equally visually stimulating sweater. Stables informed us, after the bassist pointed out his shirt to us, which was also available at the merch table, that they were into real chain mail getup, but didn’t bring them on tour because that would obviously add a lot of weight to their load. She joked that we would have to see them in England where we could all sport chain mail like knights.

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Stables & Co. started their set with “Easy Pickings,” with Katie plucking the banjo and singing in a gauzy gypsy timbre. The drums were minimal, and the bass was even less noticeable so that the banjo and Kate’s vocals seemed like two melodies slowly tumbling down a hill together. There was something so familiar about it that I could have sworn I’ve heard this song before, and their version was a cover. I’ve since been unable to prove this, so I can only conclude that I must have heard This is the Kit before somewhere, and am remembering it like a foggy yet fond memory. Stables’ songs lend themselves well to that type of feeling; like experiencing déjà vu with an old soul. “Earthquake” one of the psych adventure songs, and admittedly the song that made me want to see them in the first place. They played with a sort of calm energy, somehow managing to be both soft spoken and powerful all at once, with such a genuine quality. Nothing about them seemed in any way put on or just for show. This is the Kit’s bio includes a humorous jab about the royal you not liking the banjo, but after seeing them live that statement becomes irrelevant. Banjo or no banjo, This is the Kit makes music that anyone with a soul and musical bone in their body can gravitate toward, and take your shoes off and relax to, as Stables did for the entire set.

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This was This is the Kit’s last U.S. show date; they’re off to the UK and France playing dates through June, so anyone who wants to call them out on their chain mail joke can do so at any number of dates. You can also check them out on Facebook and listen to their entire album on Bandcamp.

Last modified on Tuesday, 01 May 2012 20:06
Kelly Knapp

I grew up listening to the music my parents listened to. My mom gave me some of her “Golden Oldies” cassette tapes, and I could sit in my room for hours harmonizing with The Ronettes, and staring at Del Shannon, who I thought was a total stud in his tiny black and white photo on the glossy fold-out insert. I listened to Willie Nelson because my Dad admired him so much, and I wanted to understand what was so great about him too. My first concert wasn’t a huge life changer; I saw Inner Circle at a local Jambalaya festival in Central Florida. Their biggest hit was “Bad Boys,” the theme song to COPS. If anything, that concert should have traumatized me. But, at the time I had no comprehension of any crassness. I just remember the guitarist making eye contact with me and smiling, and feeling excitement over having a brief connection with someone who was making me dance.

It’s the same thing with listening to music with words in another language. It’s not necessary to understand words or literal meanings. It’s the way the melodies and rhythms evoke feeling. It’s like that saying about art, how you may not be able to explain it, but you know it when you see it. I can’t always describe music (although obviously, I sure as hell try to), but I know what I like when I feel it, and I think those who can evoke that feeling deserve to be acknowledged for it. That’s what I want to describe. That’s what I want to share.

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