Class Actress Takes The Echo Back to The ‘80s

Written by  Published in Live Reviews Friday, 24 February 2012 08:53
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When you see Elizabeth Harper twisting and twirling on stage, seductively cooing lyrics about sex, love, and fame, and occasionally pounding on a synthesizer, it’s hard to imagine that the chanteuse started as a singer-songwriter. With the amount of energy she exudes during her live performances, it seems unnatural to picture her planted on a coffee shop stool, strumming away on an acoustic guitar.

For this reason, trading in her guitar for a synthesizer was probably the best decision Harper could have possibly made. And after seeing Class Actress perform on L.A.’s The Echo, this belief was solidified. The Brooklyn-based electro-pop trio released its debut album, Rapprocher, last year to acclaim (it made my “Top 5 Albums of 2011” list), and each infectiously catchy dance track translated flawlessly from record to performance. As soon as Harper stepped foot on stage, adorned in leggings, heeled ankle boots, an over-sized blouse, blazer and trench coat, every person in the audience had his or her eyes fixated on her. Although the band is still relatively new, here, she was an icon.

The band began its set with “All The Saints,” a buoyant ‘80s pop revival track. As soon as the music started, the venue turned into a dance party. Backed by bandmates Mark Richardson and Scott Rosenthal, Harper flaunted across the small stage, trailed by a fog-machine induced shadow, with sex appeal oozing out of her pores. Microphone in hand, she danced and clapped and urged the audience to do the same, which it did without hesitation.

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As the set progressed, Harper began peeling off her wardrobe, layer by layer, conducting a peculiar indie goddess strip tease of sorts, until her coat and blazer were crumpled on the ground. She teased the audience by tugging on her button-up blouse, toying with the idea of discarding that garment as the threesome propelled through the majority of its freshman record.

During the last song of the set, Harper went primal, swinging her small keyboard off its stand and collapsing onto the ground, pounding the keys ferociously, causing uproar of applause and screams as the band exited the stage. “Class Actress,” everyone chanted in hopes that the three-piece would return. “Seriously, it’s a mess up here,” Harper groaned as she climbed back up, kicking away the clothing strewn across the stage. “We’re going to play one more song.” The crowd burst into applause as the band began playing the sex-drenched track, “Limousine,” to end the night and keep The Echo begging for more.
Last modified on Monday, 27 February 2012 10:28
Katrina Nattress

For as long as she can remember (and probably before then), Katrina has been a music addict. Raised attending concerts and listening to records with her father in Portland, Oregon, there was no question as to what the little audiophile would be when she grew up—a music journalist. And from the first day she wrote an album review for a blog in high school, she never deterred from that path. With a journalism degree from the University of Oregon under her belt, Katrina decided to pack up and move to where the action was. She now spends her days basking in the sun of the city of angels, keeping Amoeba Records in healthy business, and watching live music every chance she gets.

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