Monophonics Go Heavy on the Psych and Soul at Sullivan Hall

Written by  Published in Live Reviews Sunday, 24 June 2012 19:26

Monophonics_sing

Here at BestNewBands.com, we tend to focus mainly on what’s generally lumped into the “indie” genre; “indie” being a word that has come to be used more as a categorization for a certain sound and image of a band, as opposed to simply meaning a band that is “independent.” Ironically, the bands that tend to fall into that genre are generally more well-known in the underground or “indie” scene by the people who seek out the music that isn’t played on Top 40 radio, which in a way actually makes them the mainstream of the underground. That can be a complement or not, but without getting too much into semantics or using any more quotations, let us highlight a band that doesn’t sound too much like any other band, mainstream or indie-mainstream, but does deserve to be more well-known for their musical substance and a great live show: Monophonics.

Monophonics_Kelly_point

This psych/soul/heavy funk band from the Bay Area played Sullivan Hall Saturday night, and needless to say, their live show was heavy on the funk, the psych, but mostly on the soul. They were so heavy on the soul that singer and keyboardist Kelly Finnigan was drenched in sweat before the first song was over, since he sang and played with such fervor that couldn’t be contained. It was clear through his and the rest of the band’s  performance that what was being communicated came from an honest and substantial place, because they were playing what they felt, and they couldn’t feel it any other way than what it was. In a nutshell, they weren’t fakin’ the funk.

Monophonics_Kelly_sing_heart

Finnigan often played with one hand so he could gesture with the other, so passionately that at times I was sure he would just jump up from his seat and get completely caught up in the moment. Instead, he transferred that energy back into his lyrics and playing - banging hard on the keys and digging deep into his lungs. The rest of the band had their dig-deep moments as well, as everyone got a shout out introduction and had solos that they put their all into. Trumpeter Ryan Scott, saxophonist Alex Baky, bassist Myles O’Mahony, and drummer Austin Bohlman all had their place and their time to come through, but especially guitarist Ian McDonald, who really spiced up the psychedelic element and brought the straight up rock and roll with his licks. Just as importantly, whenever one of the guys had an impressive solo that had the whole crowd’s attention, the rest of the band provided the perfect amount of support; still exuding positive and honest energy without demanding divided attention. This is a band that takes the raw and real energy of some of the greatest funk and rock performers in history, and does it right while still making it their own. This is an independent band that should be seen and heard, because they’ll exude as much - if not more - energy every performance. They can’t do it any other way.

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There are plenty of chances to see Monophonics, as they have shows through September. They also recently released a new album, In Your Brain, out on Ubiquity Records.

Monophonics_stage_right

Last modified on Monday, 25 June 2012 11:58
Kelly Knapp

I grew up listening to the music my parents listened to. My mom gave me some of her “Golden Oldies” cassette tapes, and I could sit in my room for hours harmonizing with The Ronettes, and staring at Del Shannon, who I thought was a total stud in his tiny black and white photo on the glossy fold-out insert. I listened to Willie Nelson because my Dad admired him so much, and I wanted to understand what was so great about him too. My first concert wasn’t a huge life changer; I saw Inner Circle at a local Jambalaya festival in Central Florida. Their biggest hit was “Bad Boys,” the theme song to COPS. If anything, that concert should have traumatized me. But, at the time I had no comprehension of any crassness. I just remember the guitarist making eye contact with me and smiling, and feeling excitement over having a brief connection with someone who was making me dance.

It’s the same thing with listening to music with words in another language. It’s not necessary to understand words or literal meanings. It’s the way the melodies and rhythms evoke feeling. It’s like that saying about art, how you may not be able to explain it, but you know it when you see it. I can’t always describe music (although obviously, I sure as hell try to), but I know what I like when I feel it, and I think those who can evoke that feeling deserve to be acknowledged for it. That’s what I want to describe. That’s what I want to share.

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