Thomas Wynn & The Believers Rock Their Roots at The Knit

Written by  Published in Live Reviews Sunday, 01 July 2012 19:30

Thomas_Wynn

Thomas Wynn & The Believers have been touring pretty much nonstop since their latest album Brothers & Sisters was released at the beginning of this year, and Saturday night they were back in NYC at the Knitting Factory. This Southern rock band hails from Orlando, Fla., and in many ways embody everything authentic and raw about the swamp. One of the most standout aspects of their live show is the harmonies between bandleader Thomas Wynn, and his sister Olivia. Most of the time when they are singing, they’re both belting out the words from deep in their bellies, leaving absolutely no room to make a mistake. Singing out so loud and strong like that and being perfectly harmonized every time (because of their “blood harmony,” as Thomas puts it) in itself makes their show remarkable, but there’s even more jamming out and impressive solos to add to that.

Thomas_Wynn__Olivia

They opted to leave out the more downtempo acoustic songs to focus more on rocking out for this set, along with throwing in a couple of new tunes. They played “Brothers & Sisters,” off their new album, towards the end of the set, which starts off with a familiar sounding drum beat before bass sneaking in, then guitar and blues harp breaking in. This song speaks to a general audience, but also most likely stems from the brother and sister roots of the band.

Olivia_Wynn

Songs like this one are so much more dynamic live, with longer guitar solos and more general jamming out. In this way Thomas Wynn & the Believers is very much like how Neil Young & Crazy Horse was, with a short lyrical verse followed by a long jam, brought back to a short lyrical verse, followed by a long jam, repeat. The whole time, the members of the band move like waves, rhythmically leaning forward and back like a call and response. Each member had their time in the spotlight as well, with Olivia starting a song off solo, their bass player getting down on the last song, and plenty of solos for Chris Bell on the blues harp; which he completely killed every time, but when he was playing looked like he really wanted to play guitar by the way he shredded a ghost axe. As for Thomas, he showcased all the right guitar gymnastics, southern style – i.e., stringing together some really wild licks with the guitar faces to go with them. Basically, Thomas Wynn & The Believers play music the way they feel it, accentuated by their southern roots and experiences growing up, and turn it into authentically affecting rock and blues.

Thomas_Wynn_and_Chris

Thomas Wynn & The Believers will be back in NYC this Tuesday, July 3rd at Mercury Lounge, and then they head back down south and west. View all dates and cities on their shows page, check them on Facebook, and look at some adorable photos and backstories of the Wynn siblings growing up on Olivia’s blog.

Last modified on Wednesday, 04 July 2012 16:58
Kelly Knapp

I grew up listening to the music my parents listened to. My mom gave me some of her “Golden Oldies” cassette tapes, and I could sit in my room for hours harmonizing with The Ronettes, and staring at Del Shannon, who I thought was a total stud in his tiny black and white photo on the glossy fold-out insert. I listened to Willie Nelson because my Dad admired him so much, and I wanted to understand what was so great about him too. My first concert wasn’t a huge life changer; I saw Inner Circle at a local Jambalaya festival in Central Florida. Their biggest hit was “Bad Boys,” the theme song to COPS. If anything, that concert should have traumatized me. But, at the time I had no comprehension of any crassness. I just remember the guitarist making eye contact with me and smiling, and feeling excitement over having a brief connection with someone who was making me dance.

It’s the same thing with listening to music with words in another language. It’s not necessary to understand words or literal meanings. It’s the way the melodies and rhythms evoke feeling. It’s like that saying about art, how you may not be able to explain it, but you know it when you see it. I can’t always describe music (although obviously, I sure as hell try to), but I know what I like when I feel it, and I think those who can evoke that feeling deserve to be acknowledged for it. That’s what I want to describe. That’s what I want to share.

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