Sunday Night Meditation With Quilt And Young Magic

Written by  Published in Live Reviews Monday, 30 July 2012 17:27

Quilt-Anna

What better way to end the weekend than soaking up the good vibes of Quilt on Sunday night at Mercury Lounge.  Their harmonious psych folk show was a gentle segue into Monday, along with the mesmerizing qualities of Young Magic, who played right before. Listening to Quilt was just about tantamount to laying down in the grass under a shady tree and closing your eyes to just feel the breeze. Or a mild acid trip. Either way, I bet Grace Slick would be really into Quilt’s music.

Quilt2

It’s clear this is a band that loves spending time in nature and takes much inspiration from it, and I couldn’t help but translate what I was hearing in my mind to going to some happy place that only exists far from the city. Their guitar lines are like winding rivers, rushing through the brushes of percussion, while their vocals fly effortless like birds overhead. Even though we were in a dark venue deep within the dense city that is New York, this was a mental time machine journey to another place and time, with distorted guitar and 3-part harmonies for the soundtrack. Every song turned into what almost felt like a spontaneous scenic detour of a jam, and then it would always smoothly circle back to a familiar place.

Quilt3

They played most of the songs off their latest LP from Mexican Summer, and threw a new one in, which featured guitarist/keyboardist Anna’s vocals more prominently in the first verse. The last song was exactly what I was hoping the closer would be, “Penobska Oakwalk.” Throughout the set, they were separate, but also together. They didn’t have to keep looking to each other for cues. In fact, all they had to do was close their eyes, and all the parts locked in seamlessly from there.

Young_Magic_Isaac

Also conducive to the night’s mind trip was Young Magic. Singer/songwriter Isaac Emmanuel and singer/guitarist Melati Malay used guitar line trills, samples, a small percussion rig, and vocal howls to create songs like mantras or meditations. There were words, but they existed in waves of atmosphere and droning ambience. The sounds were accompanied by mesmerizing visuals from classic films, combining to create what felt like a stronger gravitational force that could dig down deep into the psyche. It was actually pretty emotionally intense at times, like opening unknown portals to other planes of consciousness. Young Magic are musical hypnotists.

Young_Magic_Melati

This was the final show of Quilt and Young Magic’s tour together, but stayed tuned for updates on Quilt’s Facebook and Young Magic’s Facebook as well.

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Last modified on Monday, 30 July 2012 23:03
Kelly Knapp

I grew up listening to the music my parents listened to. My mom gave me some of her “Golden Oldies” cassette tapes, and I could sit in my room for hours harmonizing with The Ronettes, and staring at Del Shannon, who I thought was a total stud in his tiny black and white photo on the glossy fold-out insert. I listened to Willie Nelson because my Dad admired him so much, and I wanted to understand what was so great about him too. My first concert wasn’t a huge life changer; I saw Inner Circle at a local Jambalaya festival in Central Florida. Their biggest hit was “Bad Boys,” the theme song to COPS. If anything, that concert should have traumatized me. But, at the time I had no comprehension of any crassness. I just remember the guitarist making eye contact with me and smiling, and feeling excitement over having a brief connection with someone who was making me dance.

It’s the same thing with listening to music with words in another language. It’s not necessary to understand words or literal meanings. It’s the way the melodies and rhythms evoke feeling. It’s like that saying about art, how you may not be able to explain it, but you know it when you see it. I can’t always describe music (although obviously, I sure as hell try to), but I know what I like when I feel it, and I think those who can evoke that feeling deserve to be acknowledged for it. That’s what I want to describe. That’s what I want to share.

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