The Mynabirds Call All Their Generals at Mercury Lounge

Written by  Published in Live Reviews Tuesday, 04 September 2012 13:27

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Singer/songwriter and The Mynabirds frontwoman Laura Burhenn had her snakeskin boots on, ready for stomping on the black and white chevron-painted stomp box under her feet. She and backup vocalist Rebecca Marie Miller stomped in unison rhythm for their whole set at Mercury Lounge this past weekend, making it as percussive as possible. Miller also had a bag of percussion tricks ready to go, and had her drumsticks tucked into her black boots for easy access. Burhenn sported a fox hat, similar to the wolf headdress she wears in her Spirit Animal photos, for the first couple songs before she ripped it off and laid it on top of the bass amp.

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Burhenn, formerly of the DC-based duo Georgie James, has been crafting songs as The Mynabirds since 2009 as a way to voice her political frustration. Her lyrics serve as a voice of humanity and equality in a world of judgment and discrimination, and her music is the foot-stomping rally for modern peaceful revolutionaries. Burhenn & Co. strike a balance that straddles a line of good-natured ferocity, and their plethora of percussive instruments seve to really bang the message all the way home. Miller made use of just about everything from sleigh bells to finger cymbals to electronic drum pads; not to mention some seriously strong backing vocals. She even pulled out a trumpet at one point, kind of like that moment in The Jerk when Bernadette Peters just pulls a trumpet out of nowhere during “You Belong to Me.” Ok, maybe not exactly like that, but it was still like, ok what else is she going to bust out? Her and Burhenn were both positioned to straddle the middle of the stage, with Burhenn’s keyboard in between them. She sang and played at the same time, switching between keys and blue wooden sticks, sticking mostly with the upbeat songs for the crowd to dance to.

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They slowed the tempo down for “Fallen Doves,” the b-side off their Generals 7 inch single, and then followed that up with the a-side, “Generals,” that almost everyone in attendance was familiar with as the band’s biggest hit to date. I actually expected a little more stomping on that song, but Laura focused more on the words and the message, and the energy seemed to reach it’s peak of the night. They ended on the inspirational second album single “Body of Work,” which is currently available for free download on their site.

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The Mynabirds are done with their current tour leg, but still have more shows coming up in October-November then they have percussion instruments, swooping south from Canada and back up again. Follow their journey on Facebook, and stream more songs from GENERALS through Soundcloud.

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Last modified on Wednesday, 05 September 2012 10:27
Kelly Knapp

I grew up listening to the music my parents listened to. My mom gave me some of her “Golden Oldies” cassette tapes, and I could sit in my room for hours harmonizing with The Ronettes, and staring at Del Shannon, who I thought was a total stud in his tiny black and white photo on the glossy fold-out insert. I listened to Willie Nelson because my Dad admired him so much, and I wanted to understand what was so great about him too. My first concert wasn’t a huge life changer; I saw Inner Circle at a local Jambalaya festival in Central Florida. Their biggest hit was “Bad Boys,” the theme song to COPS. If anything, that concert should have traumatized me. But, at the time I had no comprehension of any crassness. I just remember the guitarist making eye contact with me and smiling, and feeling excitement over having a brief connection with someone who was making me dance.

It’s the same thing with listening to music with words in another language. It’s not necessary to understand words or literal meanings. It’s the way the melodies and rhythms evoke feeling. It’s like that saying about art, how you may not be able to explain it, but you know it when you see it. I can’t always describe music (although obviously, I sure as hell try to), but I know what I like when I feel it, and I think those who can evoke that feeling deserve to be acknowledged for it. That’s what I want to describe. That’s what I want to share.

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