Turbo Fruits Record Release Show at Mercury Lounge

Written by  Published in Live Reviews Saturday, 15 September 2012 19:55

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You may want to consult your physician before attending a Turbo Fruits show. If you have a weak neck, weak lungs, or a bad liver, you may want to check out that solo acoustic show down the street instead. The band’s record release show at Mercury Lounge Thursday night actually wasn't their wildest show, but they are capable of causing some serious rock n’ roll wreckage.

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Even for a show that’s not in a small, sweaty, punk venue packed over capacity with riotous minds, the guys in Turbo Fruits don’t have to try that hard. They’re four guys from Nashville with rock n’ roll in their bones. This band isn’t about writing the next musical masterpiece. They’re about living life, and having a lot of attitude. From having their own Turbo Time records to coordinating a Bruise Cruise to playing over 200 shows in the past year, this is a way of life for them. Fuck a 9 to 5, if these guys were to punch a clock, they would literally punch it to pieces, and then go ride motorcycles and drink beer. Hypothetically speaking.

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Front man Jonas Stein pulled out several split jumps and arm windmill guitar strums, and guitarist Kingsley Brock pulled out most of the fast and heavy solos. Drummer Matt Hearn hit it hard throughout the entire set, and bassist Dave McCowen had punk attitude and badass smirks for days…as well as owning those bass lines.

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Most songs they played were off the recently released Butter, but there was a noticeable difference when they played an older song. “Volcano” was definitely the most recognized song, and was what got anyone who hadn’t already been head banging to just go for it. At one point, Ian O’Neil from Deertick – who Turbo Fruits recently toured with – jumped up on stage for a quick cameo. He helped crash some cymbals, and made the rounds around the stage jumping on each microphone to take turns sharing vocals.

They ended on “Ain’t the Only One Havin’ Fun,” a song made to be the finale of a show. Jonas made sure to fit in as many jump splits as possible, all the guys had reached their stride full on, and as Jonas howled out the words, it rang true that he sure ain’t.

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Turbo Fruits have shows up through October, including a CMJ showcase at Public Assembly on October 19. Butter is out now, but don't skip the older gems.

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Last modified on Monday, 17 September 2012 00:56
Kelly Knapp

I grew up listening to the music my parents listened to. My mom gave me some of her “Golden Oldies” cassette tapes, and I could sit in my room for hours harmonizing with The Ronettes, and staring at Del Shannon, who I thought was a total stud in his tiny black and white photo on the glossy fold-out insert. I listened to Willie Nelson because my Dad admired him so much, and I wanted to understand what was so great about him too. My first concert wasn’t a huge life changer; I saw Inner Circle at a local Jambalaya festival in Central Florida. Their biggest hit was “Bad Boys,” the theme song to COPS. If anything, that concert should have traumatized me. But, at the time I had no comprehension of any crassness. I just remember the guitarist making eye contact with me and smiling, and feeling excitement over having a brief connection with someone who was making me dance.

It’s the same thing with listening to music with words in another language. It’s not necessary to understand words or literal meanings. It’s the way the melodies and rhythms evoke feeling. It’s like that saying about art, how you may not be able to explain it, but you know it when you see it. I can’t always describe music (although obviously, I sure as hell try to), but I know what I like when I feel it, and I think those who can evoke that feeling deserve to be acknowledged for it. That’s what I want to describe. That’s what I want to share.

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