Natural Child Drops New 7-inch and Announce More Tour Dates

Written by  Published in Album Reviews Monday, 20 August 2012 19:49

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Nashville blues punkers Natural Child have already received many comparisons to Neil Young & Crazy Horse, The Stones, and The Stooges, and today they release their new 7-inch as further evidence to warrant all of that. The 7-inch, as well as a pack of rolling papers, is out on Jeffrey Drag Records, a musician-run label in Nashville known for their limited edition cassette and vinyl release from some of the most talked about local Rocky Top Tennessee garage, country blues, and straight up rock n’ roll bands currently on the scene. Natural Child may want to get you high and blow your mind with their amps, but they’ve also been pretty busy this year, as they only recently released their second LP For the Love of the Game back in April, and have another full length dropping in less than a month

This new 7-inch features the single “Mother Nature's Daughter,” a track that most strongly warrants comparisons to Neil Young & Crazy Horse in their heyday; as it pulls pretty heavily from those 1970s meandering jams with environmentally conscious sensibilities. Fittingly, the song has its musical peaks and valleys of intensity. The descent into the eye of the storm is interpreted by a wild dueling guitar solo, anchored by a bassline that leads into an uprising of harmony, that goes right up to the top of jam-out mountain before reaching the peak and free-falling down again. B-side “Bodyswitchers Pt. II” is the ‘slow jam’ propelled by this awesomely dirgy bass line bass that becomes increasingly heavy, with touches of wailing guitars and shouted words increasingly frustrated. The Stooges are a more appropriate comparison, with a sentiment that starts out with just a bit of a dark swagger coming through simple lyrics like ‘I wonder if she’ll call me / Guess we’ll see’ before escalating into repeated shouting of ‘Never again.’

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Natural Child's third LP Hard in Heaven is set to be released on September 11th on Burger Records. Their upcoming single off that takes their serious licks in a less serious direction, and is called "B$G P$MP$N," which you can download over at Spinner. You bet they’re touring in support of all of this, playing shows through the end of September – all dates below:

NATURAL CHILD TAKE TEXAS w/ Birdcloud

8/31 - Denton, TX @ Rubber Gloves
9/1 - Lubbock, TX @ Depot Oyster Bar
9/2 - Austin, TX @ 29th St Ballroom
9/3 - Houston, TX @ Fitzgerald's
9/4 - Beaumont, TX @ Victoria House
9/6 - McAllen, TX @ Simon Sez
9/7 - Corpus Christie, TX @ Theo's
9/8 - Laredo, TX @ Old No. 2
9/10 - Tucson, AZ @ Plush
9/11 - Tempe, AZ @ Yuca Tap Room
9/12 - Las Vegas, NV @ Neon Reverb Festival
9/13 - Long Beach, CA @ Alex's Bar
9/15 - San Diego, CA @ San Diego Noise Pop Festival
9/17 - San Francisco, CA @ Elbo Room
9/18 -.Santa Cruz, CA The Blue Lagoon
9/19 - Eureka, CA @ The Shanty
9/20 - Portland, OR @ Rotture
9/21 - Vancouver, BC @ Olio Festival
9/22 - Seattle, WA @ The Comet
9/24 - Fargo, ND @ The Aquarium
9/25 - Minneapolis,MN @ 7th St. Entry
9/28 - Detroit, MI @ Lager House Parking Lot
Last modified on Monday, 20 August 2012 22:28
Kelly Knapp

I grew up listening to the music my parents listened to. My mom gave me some of her “Golden Oldies” cassette tapes, and I could sit in my room for hours harmonizing with The Ronettes, and staring at Del Shannon, who I thought was a total stud in his tiny black and white photo on the glossy fold-out insert. I listened to Willie Nelson because my Dad admired him so much, and I wanted to understand what was so great about him too. My first concert wasn’t a huge life changer; I saw Inner Circle at a local Jambalaya festival in Central Florida. Their biggest hit was “Bad Boys,” the theme song to COPS. If anything, that concert should have traumatized me. But, at the time I had no comprehension of any crassness. I just remember the guitarist making eye contact with me and smiling, and feeling excitement over having a brief connection with someone who was making me dance.

It’s the same thing with listening to music with words in another language. It’s not necessary to understand words or literal meanings. It’s the way the melodies and rhythms evoke feeling. It’s like that saying about art, how you may not be able to explain it, but you know it when you see it. I can’t always describe music (although obviously, I sure as hell try to), but I know what I like when I feel it, and I think those who can evoke that feeling deserve to be acknowledged for it. That’s what I want to describe. That’s what I want to share.

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