Catch Zola Jesus at Bowery Ballroom this Saturday

Written by  Published in Previews Thursday, 21 April 2011 10:00
Zola_Jesus

Zola Jesus is headlining Bowery Ballroom this Saturday, April 23rd. Support acts are Naked on the Vague and Cult of Youth. Zola Jesus' dark and haunting electronic sounds are seeping into all underground radar, and all my friends who saw her at SXSW have confirmed that it was one of their favorite shows there. Listening to her recorded songs may be more of an ambiant experience, but in her live shows she tends to jump off the stage and run around in the crowd, and that is what makes her live show most interesting. It also helps that she has had classical training and thus sang an aria or two, helping to give her voice the quality and depth you can hear in her songs. I really haven't heard anything bad about a live show of hers. I'm torn between this show and Ducktails at Monster Island Basement the same night, so I might just have to rely on how I feel Saturday night.

zola_jesus2
Opener Cult of Youth is based in Brooklyn, and has been tabbed as a Band to Watch by Stereogum. Naked on the Vague hails from Australia, and fits in perfectly with the Zola Jesus' sound, leaning towards darker 80s new wave influences. Below is one of their tracks, "Clock of 12's."
Naked on the Vague - Clock Of 12's by sacredbones
Tickets are $13 in advance, or $15 day of show. They can be purchased online, at Music Hall of Williamsburg Saturday day, or at the door (assuming it doesn't sell out). Doors at 8pm, show at 9pm, show is 18+.
Last modified on Tuesday, 10 May 2011 15:20
Kelly Knapp

I grew up listening to the music my parents listened to. My mom gave me some of her “Golden Oldies” cassette tapes, and I could sit in my room for hours harmonizing with The Ronettes, and staring at Del Shannon, who I thought was a total stud in his tiny black and white photo on the glossy fold-out insert. I listened to Willie Nelson because my Dad admired him so much, and I wanted to understand what was so great about him too. My first concert wasn’t a huge life changer; I saw Inner Circle at a local Jambalaya festival in Central Florida. Their biggest hit was “Bad Boys,” the theme song to COPS. If anything, that concert should have traumatized me. But, at the time I had no comprehension of any crassness. I just remember the guitarist making eye contact with me and smiling, and feeling excitement over having a brief connection with someone who was making me dance.

It’s the same thing with listening to music with words in another language. It’s not necessary to understand words or literal meanings. It’s the way the melodies and rhythms evoke feeling. It’s like that saying about art, how you may not be able to explain it, but you know it when you see it. I can’t always describe music (although obviously, I sure as hell try to), but I know what I like when I feel it, and I think those who can evoke that feeling deserve to be acknowledged for it. That’s what I want to describe. That’s what I want to share.

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