Hangout Festival 2012

Written by  Published in Previews Wednesday, 04 April 2012 18:11

hangout-festival-2012

I don’t know about anybody else, but I never really thought “beach and music destination” when I thought of Gulf Shores, Alabama. As the name of the city implies, it’s on the gulf, where it’s highly unlikely you’ll ever get a decent wave, but if there is anything this tiny stretch of 'Bama sandwiched between Florida and Mississippi might be good for, hanging out would definitely be it. Hangout Festival 2012 will run from May 18-20th, and while the surf may let surfers down, a glance at the lineup for this third installment of the fest suggests that the music end of the tagline should hold up better. Something noticeable about the lineup in general is that the festival environment may have that Big Kahuna beach feel, but make no mistake about it - this is the south. As most of the bands on the bill are based in the southern region, that culture will be strong and proud.

A few notables to catch:

Alabama Shakes – this band has blown up exponentially the past year or so, but it makes perfect sense they should play this festival. Whether you think they deserve all the hype or think it’s just that, there’s no denying their live show will make you move and feel.

Gary Clark Jr. -  Another artist that is putting that classic soul back into rock and roll.

Heartless Bastards – “…may be the meanest-sounding, female-fronted dirty blues band in America.” Singer Erika Wennerstrom definitely sounds like someone you’d rather have on your side.

Givers – this Lafayette, Louisiana-based quintet is just bursting with good vibes, and are one of those bands that will have everyone dancing and hugging at their shows.

Dr. Dog – Northerners who know how to bring the good vibes, this Philly band really embraces the energy of making live music as much as possible, which is one of the best qualities any band can have.

Oh, and there’s something about THE FLAMING LIPS PERFORMING DARK SIDE OF THE MOON. Epic.

All kinds of ticket packages are currently on sale, including the kickoff party on May 17th, which will feature 10 good ol’ southern style bands. Friday tickets will also go on sale for morning yoga! This always sounds like a great idea in theory, but it also makes one wonder who that super festival goer is who can stay out all night and then hold their proud warrior pose with even breath at the break of dawn. A big Namaste to those who can pull that off.

Last modified on Friday, 13 April 2012 00:36
Kelly Knapp

I grew up listening to the music my parents listened to. My mom gave me some of her “Golden Oldies” cassette tapes, and I could sit in my room for hours harmonizing with The Ronettes, and staring at Del Shannon, who I thought was a total stud in his tiny black and white photo on the glossy fold-out insert. I listened to Willie Nelson because my Dad admired him so much, and I wanted to understand what was so great about him too. My first concert wasn’t a huge life changer; I saw Inner Circle at a local Jambalaya festival in Central Florida. Their biggest hit was “Bad Boys,” the theme song to COPS. If anything, that concert should have traumatized me. But, at the time I had no comprehension of any crassness. I just remember the guitarist making eye contact with me and smiling, and feeling excitement over having a brief connection with someone who was making me dance.

It’s the same thing with listening to music with words in another language. It’s not necessary to understand words or literal meanings. It’s the way the melodies and rhythms evoke feeling. It’s like that saying about art, how you may not be able to explain it, but you know it when you see it. I can’t always describe music (although obviously, I sure as hell try to), but I know what I like when I feel it, and I think those who can evoke that feeling deserve to be acknowledged for it. That’s what I want to describe. That’s what I want to share.

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