Los Angeles – The latest full length release from Shlohmo, Dark Red, is a fitting showcase for an artist whose personal life has traversed a cryptically challenging time over the past year. The man behind Shlohmo, Henry Laufner, spends the vast majority of Dark Red’s runtime barraging through a landscape of dissonance, dreariness and despair. This
Los Angeles – On Wednesday night, Toronto-based power pop band Ménage wrapped up a handful of dates in Los Angeles, adapting their sound to the quiet ambiance of Hollywood’s famed The Hotel Café. While the band is more known for its guitar distortion and a well-contained aggression, their performance was more subdued and featured an
Los Angeles – While Mike Greene, the mastermind and sole member of electronic music act Fort Romeau, has not made any grand departures from the well-received sound he established on his debut album and subsequent singles, the London-based house producer has tweaked the formula just a bit. Fort Romeau’s second full-length, Insides, was released
Los Angeles – As we enter what is known as “festival season,” there are always a few bands that make an enormous impression on the audiences, their songs going on to be considered the “songs of the summer” for the indie music world. Last year Future Islands played that roll, catapulting to the forefront of
Los Angeles – Deeper is the third full-length for Oakland-based musician Luis Vasquez’s The Soft Moon, and it sees the one-man project expand upon its gothic rock-indebted sonic palette while still managing to streamline the song structures. Out March 31 on Captured Tracks, these 11 tracks make up a decidedly dark, cold and lean record.
Los Angeles – One thing is for sure – London’s Palma Violets have the swagger and stage theatrics that is the inevitable byproduct of being critically lauded from the moment their first song was released. The infamously trigger-happy British music magazine NME cast Palma Violets into the pantheon of “next big things” in 2012 when
Los Angeles – After several opening bands took turns pummeling audience members at Jewel’s Catch One last weekend, headliners Naomi Punk put on a dynamic and loud performance. These three gentlemen from Olympia, Washington have been churning out noisy, chaotic noise rock since 2008, producing two full-length albums, 2012’s The Feeling and 2014’s Television Man.
Los Angeles – Celebrating the release of their warmly received second full-length, EarthEE, the members of THEESatisfaction put on a powerful performance at the history-filled club Jewel’s Catch One on a recent night. The dark, smoke-filled downstairs room of the huge ex-disco complex was the perfect setting for THEESatisfaction’s thought-provoking yet highly danceable brand of
Los Angeles – Despite the extended daylight and blisteringly warm weather outside, 2:54 preferred to keep things a little darker inside Los Angeles’ Echoplex. The band’s brooding yet melodic sound is best enjoyed with the lights turned way down and a healthy helping of machine-made fog flooding the stage. Led by the sister-duo of Colette
Los Angeles – Evans The Death’s sound is an amalgam of influences from the past few decades, and the resulting product is a poppy, noisy set of tracks that are a logical addition to the seminal Slumberland Records’ discography. Led by the dynamic vocals of Katherine Whitaker and the songwriting of Dan Moss, Evans The