Q&A: MIcah McKee of Empress Hotel

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New Orleans has been the hub of some of the greatest music in American history. From it’s days as the hub of jazz in the twentieth century to bounce hip-hop to it’s continuing post-Katrina revival as shown in the HBO show, Treme, different sounds have come to represent the soundtrack of this great city. Empress

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Cloud Nothings: Turn it On and Turn it Up

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Photo by Mark Baldi The first full length from 19-year-old Dylan Baldi from Cleveland, OH under the name Cloud Nothings is what helped me wake up for a few weeks straight. The scratchy fuzzy lo-fi power pop full of messy layers and catchy melodies temporarily replaced caffeine for me. It’s a nice throwback to simple

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Q&A: Matt Holliman of Sleepy Sun

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Recently, Sleepy Sun got a huge breakthrough when they were announced as the opener for one of the hottest names in indie rock, Austin’s The Black Angels. Though the tour isn’t going to commence until April, the band is doing its best to build on the momentum of this announcement. With their sound described by

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Range Rover: The Kids Are All Right

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The boys of San Diego’s Range Rover took a moment out of their time working on their debut album to answer some of my burning questions about their eclectic sound, their multi-layered tracks and their musical process. Also in this post: A new song, “There’s Nothing For Me Here” for your listening enjoyment. Look for

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Q&A: Ryan Hendrix of Colourmusic

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The world’s first ever Yorkshire/Oklahoma-based band, Colourmusic deal in deliciously heavy euphoria, with front man Ryan Hendrix coming on like a cult-leader: spooky, uplifting and ever so slightly odd. Signing to Memphis Industries, home of The Go! Team, Field Music and many more, the band have spent the past year hard at work, crafting an

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