Today is the day for Deleted Scenes’ much-awaited new album, Young People’s Church of the Air. We previewed their single “Bedbedbedbedbed” that came out a few months ago, which also now has a video to go with it, (see below) and it was clear then that the band was continuing to cultivate a sound very
Buxter Hoot’n is two parts family, five parts rock ‘n’ roll revivalists. The San Francisco-based quintet is heading south for a show at The Mint this Saturday along with Honey Island Swamp Band and Sioux City Kid. Earlier this week I spoke to lead singer Vince Dewald, curious about everything from the band’s diverse influences
There’s a lot to like about Scott Bartenhagen. When I first saw his performance of “Delta Fog” (see video below), I was struck by his haunting voice and dextrous guitar playing. It was immediately apparent that he’s a talented musician, as further as evidenced by the fact that the NorCal native has already scored a
Ben Becker’s project Gamble House has blossomed from a one-man-show to a full throttle indie rock band. While I cringe at the blithely tossed around term ‘indie’, Gamble House is the absolute definition of independent or perhaps that other seemingly amorphous word ‘alternative’. They frequently dabble in ambient rock, pop, noise, surf without giving away
Last night We Barbarians (pictured) and Superhumanoids filled the Echo with sounds and people of all shapes and sizes. I thought the diverse crowd perfectly reflected the eclectic mix of the two groups’ styles, supporting both the soft, glow of the Superhumanoids and the driving, alt rock of We Barbarians. It was clear that the