Denmark’s very own The Raveonettes are back with a dark, melodic (for them) fifth album, merging open guitars and violent synth. Raven In The Grave is a more full, deep album than previous ones, and it abandoned some of the most famous parts of The Raveonettes until now: distortion and drums

Clocking in at around 35 minutes, this is a fast-paced but slow-burning experience. The Raveonettes seem to have cut all of the fat, but they didn’t lose their style in the process. The result is a more challenging work that crosses some of the genres they’ve already visited in the past: 60s rock and ethereal pop.

So, yes, there is a slight makeover on their fifth album, and I approve. “Recharge and Revolt” is the perfect introduction to the adventure you’re embarking on. Every song is just layer upon layer of feeling and you need to prepare for that.

With all of that said, this is not a dance record, and that’s alright with me. This is a pensive record. “Ignite” is a tune that captures the essence of what The Raveonettes do so well: simple sounds within the bigger picture. “Apparitions” is another gothic soundbite, enveloping you on your journey. It just sets up shop in your cerebral cortex and then bursts forth with energy.

The Raveonettes aren’t trying to rain on your parade with ‘moody’ music, but they are stretching their legs a bit. Maybe they’re even distancing themselves, after all, there are quite a few boy/girl combinations putting out music these days. When Sune Rose Wagner and Sharon Foo whisper, listen. Their voices carry a message and whether you hear the torment of a thousand painful deaths or you see the sunrise through your curtains, is up to you.