Los Angeles – Generationals, a new wave duo from New Orleans returned to Los Angeles, after an absence of a few years, to showcase new jams and fan favorites. The Teragram Ballroom, located in downtown Los Angeles was buzzing on this crystal clear night as the true, zealot fans made it out to support the
Nashville – Electro-pop duo Generationals answered the call of expectant fans at Cannery Row’s the High Watt—a sister venue to the legendary Mercy Lounge. Best New Bands reviewed Alix, their latest studio album (via Polyvinyl) in September, and the band stopped by Nashville in order to promote this most recent release. Although they remained faithful
Los Angeles – Louisiana duo Generationals have quickly returned with the follow-up to their superbly crafted 2013 effort, Heza. Ted Joyner and Grant Widmer crafted their first three albums from home with the help of a close friend. For this go around, they’ve acquired the help of singer/songwriter/multi-instrumentalist producer Richard Swift (The Shins, Foxygen, The
New York – New Orleans-based indie-rock duo Generationals are excited to announce their brand new full-length album titled Alix. Helmed by notable producer Richard Swift and released on Tuesday, September 16 via Polyvinyl Record Co., Alix reveals itself as perhaps Generationals’ most confident record yet. The album is full of history and is as multiphase as members Ted Joyner and Grant Widmer’s long-standing friendship. “Gold Silver
The Tractor Tavern is typically the home of Seattle’s local and travelling folk and blues groups. The relatively small club has hosted acts such as Langhorne Slim and The Proclaimers. In the past few weeks, in a fit of summery surprise, the Tractor has seen psychedelic pop’s new star Mikal Cronin and Seattle’s dance-pop group
Since releasing their debut full-length Con Law in 2009, Generationals have consistently delivered pop hooks shone through a melancholic prism. 2013′s Heza brings the band to Polyvinyl and along with the label change, comes a subtle but significant sonic shift. Recorded in phases at Jim Eno’s Public Hifi in Austin, producer Daniel Black’s Bent Black studio in D.C.,