It’s been two years since Kristian Matsson released his sophomore album, The Wild Hunt, and subsequent EP, Sometimes The Blues Is Just A Passing Bird, under his moniker, The Tallest Man On Earth. In the interim, fans have been eagerly awaiting new music from the Swedish folk master. With the release of There’s No Leaving
GUYS. Everyone’s favorite down-to-earth, sweet-honey harmonizing Los Angeles band, Lady Danville (fresh off the release of their gorgeous new EP, Operating–listen below), is holding a album art design contest! You, oh lucky one, get a chance to design the art for singles “Sophie Roux” and “Kids (MGMT Cover)” which are being released soon on iTunes.
Whenever a band or musician says that “tonight’s crowd is the best” I always have a tendency to question how true that actually is. However, last night when both Cory Branan and Dave Hause made that bold statement about the crowd at Schubas I believed them. Dave said it the best when he commented that
A veteran of the Los Angeles music scene, Nick Goose has finally taken off on his own, releasing his first solo EP, Change Please. It’s not just a clever title for an album. In this case, it’s an artist taking a chance on a new sound, but it is the first step on embarking on
When was the last time you truly became addicted to an artist? For me, it happened unexpectedly at a certain Big Damn concert last month, when a Bend/Redmond, Oregon-based band by the name of Larry and His Flask knocked me off my feet harder than a shot of Jack Daniel’s Old No. 7. But like
Don’t you just love when things don’t go as planned, but turn out alright – perhaps even better than anticipated – in the end? This post was supposed to be about the Whiskey Spots, the opening act for The Reverend Peyton’s Big Damn Band tour’s Eugene show last night, but I arrived late and missed