Los Angeles – “The unexamined life is not worth living.” Why am I quoting the unequivocal statement from Socrates? Well, the Chicago band Santah has this new record called Chico (out on Nov. 6th via Yes Club Records). It’s a record of that explores the dichotomy between finding yourself and escaping from yourself. To do so,
Los Angeles – Everything about Fuzz’s aesthetic screams “metal purists”: the band is made up of three long-haired heshers; the cover of their self-titled debut was emblazoned with a fantastical creature and kicked off with a song titled “Earthen Gate”; nearly all of their songs are built around thick walls of distorted guitar and bass
Los Angeles – Don’t feel too bad if, despite being active since 2010, the name Keep Shelly In Athens comes as a complete unknown. The Greek group deals mainly in singles and remixes; they were signed by Forest Family Records, the label founded by one of the biggest names in the (now bust) late 00’s/early
London – For The Company marks the full-length recording debut of the Australian trio, Little May, recently caught on tour by BestNewBands in London. The 13-song collection reprises two songs (“Hide” and “Boardwalks”) from the band’s 2014 EP, though sadly omits my personal favourite, “Dust”. The EP created waves of expectancy, although it served as
Los Angeles – There is nothing glamorous about Protomartyr. The band dredges the depths of the psyche, unearthing melancholic themes of misery and malevolence in the process. On a purely superficial level, the Detroit, MI four-piece lacks that certain “panache” that so many buzzy blogosphere-driven indie-rock bands possess; they are fronted by a slightly balding
San Francisco – Alan Palomo’s Neon Indian project is a hard one to pin down when it comes to genre. Generally, the whole concept of genres—in terms of modern musical expression—are thought of in either one of two ways: there are those that find comfort in their specifications, and there are those who see those
Seattle – “I love to make albums,” says Israel Nash. In a recent interview with Best New Bands, the singer-songwriter revealed his underlying goal of creating a “listening album” – something people can put on “and just be in another place for a little bit.” And with Silver Season, his fourth full-length release which comes
San Francisco – Fraternal UK electronic/garage-throwback duo Disclosure are no strangers to the theatrical. The brothers Lawrence—Guy (24) and Howard (21)—and their debut LP Settle released back in 2013 (which spanned fourteen gorgeous tracks), re-introduced the world to the forgotten genre of garage electronica, casting a diverse crew of collaborators to embody their vision. Settle
Chicago – Dillon Hodges – aka firekid - is bringing a modern twist to bluegrass, country, and Americana, mixing in pop and indie rock with hints of hip-hop and electronica, and even chiptune with help from an old Nintendo Game Boy. His self-titled debut album firekid experiments with a genres that haven’t seen much change, while still keeping much of his
Los Angeles – In the wake of More Than Any Other Day’s enormous splash, critics could not help themselves but reference groups like Television or The Talking Heads when describing the wiry post-punk heard throughout Ought’s debut release. This opinion is backed up with some decent arguments; the sing/speaking bears a passing resemblance to David