Crystal Castles Get Dark With (III)

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It’s been two and a half years since Crystal Castles released their sophomore album, and in that time it sounds like Ethan Kath and Alice Glass have matured a bit. Known for their arcade-like electronics and bratty punk rock mentality, the Toronto-based duo decided to simplify things a bit the third time around. Kath did

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Introducing Thomas Azier

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Thomas Azier is a Berlin-based electro-pop artist whose sound is both nostalgic and current; revisiting the sparkle and magic of the genre, so often ignored in the post-internet music era. Bridging the analogue and digital worlds with symphonic precision, his music is an anthem for the present, pulling from the past, looking to the future.

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Album Review: Sharliza Jelita, Strange Things

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My search for groundbreaking Southeastern Asian gems has led me to this eccentric London-based, Singaporean-born soul by the name of Sharliza Jelita. Sharliza is indeed her name (with last name Rahman); but coming from a Malay/Java point-of-view, to end a stage name with the word ‘Jelita’ (which means ‘beautiful’ or ‘lovely’, depends on the context)

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Album Review: Parallels, XII

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Canada seems to be the breeding ground for crunchy electro pop these days, and Toronto-based Parallels may be one of the groups that helped start it all. The synthpop trio formed in 2008, when Cameron Findlay, the former drummer of fellow Canadian electro poppers Crystal Castles, teamed up with vocalist/composer/producer Holly Dodson. Since its inception

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Dragonette Video Out Today

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An energetic pop anthem with a pulsing beat, Dragonette unleashed the Let It Go single earlier this month complete with remixes by Laidback Luke, The Knocks and Faustix & Imanos. Today they strike again. Join the band on a disturbing adventure in the brand new“Let It Go” video. Martina explains, “These weirdos think you need

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Casiokids Release Aabenbaringen Over Aaskammen

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The Norway-based electro-pop outfit Casiokids have been generating a fair amount of buzz in North America this year, stealing the country’s heart with its spectacle of a live show (imagine shadow puppets, animal costumes and video projections). But just because we Americans have recently discovered the fun, childish nature of the Norwegian quartet, doesn’t mean

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