Interview: Max Frost

Max Frost by James Dimmock

Chicago – Twenty-three year-old Austinite Max Frost is no newbie to the music scene. He’s been performing in and around Austin, Texas since he was in grade school, but it wasn’t until he was in college that labels came knocking. Before that hip hop artists were knocking at his door. Though the rocker had long been a

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Fraser A. Gorman

FRASER A. GORMAN

Los Angeles – Fraser A. Gorman is from the same Australian metropolis as Courtney Barnett, he’s opened for her on tour, she’s appeared in his music video for “Shiny Gun”, and they are both associated with Milk Records. And despite the fact that both musicians have perfected the art of rambling, narrative-based songwriting, do not

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Meg Myers Continues to Shine

Meg Myers by Sarah Hess

Chicago – When I last wrote about Meg Myers, I praised her up and down: “Every once and awhile you watch a sensational act, capable of sending a chill down your spine, and in that instant you know the artist is destined for fame. That is exactly what happened when I saw Meg Myers.” My admiration

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Fuzz II

FUZZ by Denee Petracek

Los Angeles – Everything about Fuzz’s aesthetic screams “metal purists”: the band is made up of three long-haired heshers; the cover of their self-titled debut was emblazoned with a fantastical creature and kicked off with a song titled “Earthen Gate”; nearly all of their songs are built around thick walls of distorted guitar and bass

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Fuzz At The Regent

Fuzz by Matt Matasci

Los Angeles – Those that have followed garage-punk savant Ty Segall over the years may have noticed a recent trend in his live performances. His summer festival circuit stardom has brought with it a wave of Jonny-come-lately “scenester” fans who were perhaps a little too focused on his huge, retro-garage-pop choruses (“Girlfriend”, “Thank God For

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Trixie Whitley Announces Her New Record

Trixie Whitley

New York – Singer-songwriter Trixie Whitley will be releasing her new record Porta Bohemica onFebruary 5, 2016. The follow up to her critically acclaimed debut Fourth Corner, Whitley’s prismatic artistry reflects electronica, R&B, the vulnerable ethos of singer-songwriters, and the unapologetic individuality of punk rock. Although her previous effort reflects her broad tastes, it is with her new record

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Ought Live At The Echo In Los Angeles

Ought by Matt Matasci

Los Angeles – “You just have to see them live to appreciate them” is an ever-common prerequisite when introducing a friend/relative/stranger to a band you love. It serves as slight insurance, a safety-valve if you will, in case said person quickly dismisses the tunes emanating from the speakers. For some artists, a strong live show

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